Joyce is married to Paul Sanders, a singer/songwriting musician, currently a member of the country band, Shenandoah where he plays bass and sings harmony. I recommend this DVD highly. Durham: Duke University Press, 2003. tippy('#footnote_plugin_tooltip_1524_1_9', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_9').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); My own research has been the first to document at length how, throughout much of the twentieth century, the music's unsavory history of explicit racism, affiliation with supremacist ideas and politicians, and its largely unreconciled relationship to this past echo jarringly in any use of the term "southern gospel." It emphasizes the unfolding of God's dealings with humanity in phases or eras ("dispensations"). tippy('#footnote_plugin_tooltip_1524_1_40', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_40').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); while emphasizing cultural texts and discourses. The Martins Biography, Songs, & Albums | AllMusic In the broadest sense, The Martins here evince how "the interaction of lyrics, music, and religious experience in southern gospel functions as a way for evangelicals to cultivate the social tools and emotional intelligence necessary for modern living." [South Barrington, IL: Willow Creek Association, 2007]). Family, friend, or fan, this family history biography is for you to remember Joyce E. (Sanders) Martin. Except [we didn't] know where to go, all the rooms were locked, too much going on in the auditorium, so Mark suggests we go into the bathroom. Arkansas ranks forty-fifth in median income in the United States and, by official self-description since the 1970s, is culturally "the natural state." See Harrison, Then Sings My Soul, 13. Such work is as welcome as it is needed. "51Harrison, Then Sings My Soul, 5. tippy('#footnote_plugin_tooltip_1524_1_51', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_51').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); As The Martins achieved fame and renown, they did so less because of what and how they sang, and more because of the way in which they have presented themselves and their music, and the way the Gaither Homecoming appropriated them as children of traditional gospel values at a moment when the viability of these values was perceived to be in question. After that we did a few Gaither dates, then [we] were signed to Spring Hill Records [a recording company in which Gaither Music had substantial holdings at the time]. GMA has drastically shifted its outreach and marketing emphasis toward black gospel artists and groups, going so far in 2011 as to move the Dove Awards from Nashville's Grand Ole Opry to Atlanta, the unofficial capital of black gospel music. But I'll say this: I've never been more honored to sing about Jesus and for Jesus. tippy('#footnote_plugin_tooltip_1524_1_44', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_44').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); This performance is important not just because the group's knack for reimagining southern gospel harmonies in dazzling vocal arabesques led in short order to celebrity. Fayetteville: University of Arkansas Press, 2009. The music remains popular among white evangelicals and many African American Protestants, though its market sharelike that of most sectors of the music industryhas declined considerably.21Sales of "Christian/Gospel" (which consists overwhelmingly of CCM and black gospel music, but also includes some southern gospel) reached a high point in 1998, totaling $836 million; in 2012, total sales in the same category were $24.2 million. In the final decades of the twentieth century, these disagreements opened up a fault line between southern gospel and CCM, with each camp pursuing styles of music that implied divergent theories of musical evangelism. At face value, much of The Martins's stylistically hybridized and contemporary music would seem to commit many of the very musical sins that southern gospel culture has long cited as justification for disparaging most other major forms of Christian music entertainment (except, perhaps, bluegrass).47The history and role of bluegrass, old-time, and mountain musics, particularly songs with pietistic lyrics that have found a home in southern gospel, is understudied. tippy('#footnote_plugin_tooltip_1524_1_41', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_41').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); This dearth conforms to a tendency in southern gospel to celebrate those performers who seem to embody orthodox cultural values, religious beliefs, and pietistic practices, as opposed to those who provide rich and particularized details about their personal lives. . (See Harrison, Then Sings My Soul, 182183). 579 11K views 2 years ago #christmas #bettertogether This week on Better Together, Joyce Martin Sanders shares her favorite childhood memory which was a Christmas miracle. During the last three decades of the twentieth century, these conservative evangelicals and fundamentalists ceased perceiving themselves in the Nixonian paradigm as a silent majority existing voicelessly and invisibly within mainstream US politics and culture. The Martins on growing up in gospel and how time apart changed their Grove Music Online. During the 1990s, The Martins rose to national and international success, showcasing their stunning and distinctive harmonies before a vast array of audiences . Joyce Martin-Sanders - IMDb Fortunately, new and forthcoming work in the study of southern gospel is beginning to scrutinize Gloria Gaither's role as a Christian entrepreneur, thinker, and writer much more closely. Joyce Martin-Sanders | Shires Wiki | Fandom Biography Mini Bio (1) Joyce Martin-Sanders is known for Gaither's Pond (1997). tippy('#footnote_plugin_tooltip_1524_1_28', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_28').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Professional southern gospel emerged from a Reconstruction-era subculture of poor and working-class white southerners. The peer reviewers for Southern Spaces provided generous feedback that sharpened my thinking and refined the essay's argument considerably. "2Ibid., 2. tippy('#footnote_plugin_tooltip_1524_1_2', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_2').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); This tradition is distinctive for its cultivation of close harmony sung in ensemblestraditionally male quartets, a formation that dominated the commercial sector of southern gospel through roughly the first half of the twentieth century, and more recently, mixed-gender foursomes and trios, often comprising family members.3Today's professional southern gospel includes many family and mixed gender foursomes and trios, configurations that were and are common in the singing convention world that dominated southern gospel in the late nineteenth century and early twentieth century. tippy('#footnote_plugin_tooltip_1524_1_8', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_8').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); So it is tempting to assume that the emergence of "southern" to describe the music since the 1960s matters only as an unsubtle substitute for the more racially antagonistic "white." The American Spirit: Who We Are and What We Stand For (2017) is a collection of McCulloughs speeches. And I've never been more sure of the path I've chosen." The siblings have been making music together since she was 10 and she has penned many of their hit songs through the years. She is divorced and has been for some time, but the date of her divorce is not listed. She tells Bill, "you have to hear these kids sing." The notion of The Martins's music as culturally transcendentnot despite but because of its particularized rusticityis reinforced in another clip from The Best of The Martins in which the trio sings on the 1998 Hawaiian Homecoming. All Rights Reserved. Key figures include Ira Sankey (the evangelist Dwight Moody's song leader), Homer Rodeheaver (Billy Sunday's music director), and George Beverly Shea (Billy Graham's most famous soloist). "8Stephen Shearon, Harry Eskew, James C. Downey, and Robert Darden, "Gospel Music," Grove Music Online, July 10, 2012, accessed October 15, 2013,http://www.oxfordmusiconline.com/subscriber/article/grove/music/A2224388. For them, Gaither's interview effectively constructs and encourages audiences to see in The Martins representative, unifying figures of white, evangelical populism whose home is, as Bethany Moreton has shown in her study of Wal-Mart and evangelicalism, the Ozarks of northern Arkansas and south-central Missourithe literal geographic location in which Gaither's colloquy imaginatively relocates The Martins. Bill Gaither sighs contentedly, then adopts an avuncular, lightheartedly admonishing tone, commenting that The Martins had only sung the first verse and indicating, as if unplanned, that the trio should "finish it" on the couch at that moment. Joyce Martin Sanders Lyrics, Songs, and Albums | Genius Joyce Martin-Sanders is known for Gaither's Pond (1997). 'Cause I've waited my whole life. 1 (2008): 2758. Many southern gospel performers and groups incorporate covers of traditional black gospel songs and spirituals into their repertoire. It is in this tradition of pietistic, blood-bought, soul-saving, life-giving harmony of the one true way to Christ that The Martins were raised and trained. The siblings all lived most of their formative years in Arkansas, where they learned to sing and with which their comments in public indicate a strong identification. Such work is as welcome as it is needed. July 30, 2013. http://www.religiondispatches.org/books/culture/6221/the_gospel_ church_and_the_ruining_of_gay_lives__an_interview_with_anthony_heilbut/. tippy('#footnote_plugin_tooltip_1524_1_45', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_45').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); In this light, and flowing from this initial performance of "He Leadeth Me," The Martins established a reputation as the pure-hearted "songbirds" of southern gospel, to borrow a description that Bill Gaither offers on a Homecoming video, The Best of the Martins. "6Not that "southern gospel" never made an appearance before the 1970s and 1980s. Through southern gospel, participants "develop the capacity to think and act as modern pluralists or situational relativists when necessary, while retaining their identification with antimodern religious traditions that notionally believe in timeless, unchanging absolutes. Heilbut, Anthony. tippy('#footnote_plugin_tooltip_1524_1_50', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_50').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); southern gospel audiences have historically bonded with performers who come to fame through place-based narratives of discovery. "Gospel," as Heilbut has noted, is "the favored term for what working-class black congregations [do,] often to the exclusion to white traditions." Gaither's remark associates a universality to The Martins, who are legitimated by the origins their music is purported to transcend. "Mom and Dad both instilled that in us that if you had a talent to sing, you should get up. Gaither's questions establish Jonathan's lifelong love of "huntin'" as linked to his Arkansas adolescence. To see the King. It was Mark, Mike, of course the three Martins, Gloria and two or three other people. tippy('#footnote_plugin_tooltip_1524_1_3', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_3').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The seven-shape notational system (and culture) of songwriting, singing, and music education that took root in the southern uplands in the late 1800s has heavily influenced the music of southern gospel and its values.4Here, following Loyal Jones, "Southern Uplands" designates the regions and people of trans-Appalachia and extends eastward into the Piedmont and westward to the Ozarks.